The Office

Sledge Hammer! is an American satirical police sitcom produced by New World Television that ran for two seasons on ABC from 1986 to 1988. The series was created by Alan Spencer and stars David Rasche as Inspector Sledge Hammer, a preposterous caricature of the standard "cop on the edge" character. Al Jean and Mike Reiss, best known for their work on The Simpsons, wrote for the show and worked as story editors.

Joanie Loves Chachi is an American television spin-off of the American sitcom Happy Days that was originally broadcast on ABC from March 23, 1982 to May 24, 1983. It stars Erin Moran and Scott Baio as the titular Joanie Cunningham and Chachi Arcola, respectively.

Six friends grow and learn at Bayside High.

A sportscaster becomes a full-time dad when his ex-wife decides to accept a job out of the country and his teenage daughter, Breanna, moves in with him.

Mr. Belvedere takes a job as a housekeeper with an American family headed by George Owens.

Wilbur Post and his wife Carol move into a beautiful new home. When Wilbur takes a look in his new barn, he finds that the former owner left his horse behind. This horse is no ordinary horse . . . he can talk, but only to Wilbur, which leads to all sorts of misadventures for Wilbur and his trouble-making sidekick Mister Ed.

Alice is an American sitcom television series that ran from August 31, 1976 to March 19, 1985 on CBS. The series is based on the 1974 film Alice Doesn't Live Here Anymore. The show stars Linda Lavin in the title role, a widow who moves with her young son to start her life over again, and finds a job working at a roadside diner on the outskirts of Phoenix, Arizona. Most of the episodes revolve around events at Mel's Diner.

Former 1960s flower children Steven and Elyse Keaton raise their conservative son Alex, daughters Mallory and Jennifer, and later, youngest child Andrew.

During the Suez Crisis of 1956, two young clerks at the stuffy Foreign Office in Whitehall display little interest in the decline of the British Empire. To their eyes, it can hardly compete with girls, rock music, and the intrigue of romantic entanglements.

Young, urban newlyweds Paul and Jamie Buchman try to sustain their marital bliss while sidestepping the hurdles of love in the '90s.

Nightmare boss. Tedious colleagues. Pointless tasks. Welcome to Wernham Hogg.

Claude Casey moved up in the secretarial world of television news, from temp to the anchor's desk. After her boss hires her full time, Claude realizes she may be in over her head in this world of assistants fighting to get ahead. But Claude is determined to prove that though she may not be perfect, she's not going down without a fight.

A hilarious workplace comedy about a unique family of employees at a super-sized mega store. From the bright-eyed newbies and the seen-it-all veterans to the clueless summer hires and the in-it-for-life managers, together they hilariously tackle the day-to-day grind of rabid bargain hunters, riot-causing sales and nap-worthy training sessions.

The follow-up to 'Twenty Twelve' as Ian Fletcher takes up the position of 'Head of Values' at the BBC. His task is to clarify, define, or re-define the core purpose of the BBC across all its functions and to position it confidently for the future, in particular for Licence Fee Renegotiation and Charter Renewal in 2016 and 2017 respectively.

Ted, a successful but morally conscious man, runs a research and development department at a morally questionable corporation, Veridian Dynamics. No achievement is too far fetched and no invention too unorthodox for Veridian. Ted loves his seemingly perfect job; he loves his superhuman boss, Veronica, and colleagues Lem, Phil and Linda, but he's starting to take a closer look at the company's extremely questionable practices... especially when they try to cryogenically freeze one of Ted's scientists for testing purposes.

Archie Bunker's Place is an American sitcom originally broadcast on the CBS network, conceived in 1979 as a spin-off and continuation of All in the Family. While not as popular as its predecessor, the show maintained a large enough audience to last for four seasons, until its cancellation in 1983. In its first season, the show performed so well that it knocked Mork & Mindy out of its new Sunday night time slot.

When a Cincinnati radio station switches from sedate music to top-40 rock 'n' roll, its staff of oddball characters is forced to switch gears quickly. New programming director Andy Travis brings in a new DJ named Venus Flytrap to work with the station's burned-out veteran, Dr. Johnny Fever. Neurotic newsman Les Nessman, eager beaver Bailey Quarters, sleazy salesman Herb Tarlek, blonde bombshell Jennifer Marlowe, who serves as the station's ultra-capable receptionist, and station manager Arthur Carlson, whose domineering mother owns WKRP, round out the eccentric bunch.

A sitcom set in the offices of "GlobeLink News" after its acquisition by media mogul Sir Roysten Merchant. Led by editor George Dent, the staff of GlobeLink battle to maintain the company as a serious news organization against Sir Roysten's right-hand man, Gus Hedges, who wants to make the show more sensationalist and suppress stories that might harm Roysten's business empire.

Hi-de-Hi! is a British sitcom set in Maplins, a fictional holiday camp, during 1959 and 1960, and was written by Jimmy Perry and David Croft, who also wrote Dad's Army and It Ain't Half Hot Mum amongst others. It aired on the BBC from 1980 to 1988. The series revolved around the lives of the camp's management and entertainers, most of them struggling actors or has-beens. The inspiration was the experience of writers Perry and Croft: after being demobilised from the army, Perry was a Redcoat at Butlin's, Pwllheli during the holiday season. The series gained large audiences and won a BAFTA as Best Comedy Series in 1984. In 2004, it came 40th in Britain's Best Sitcom and in a 2008 poll on Channel 4, 'Hi-de-Hi!" was voted the 35th most popular comedy catchphrase.

The daily troubles of the people who work in a busy West Midlands Job Centre, and the people who don’t work there, or anywhere else for that matter.